Volume 67, Number 1, 2016
From the Editors:
Peter Erickson and Kim F. Hall, “‘A New Scholarly Song’: Rereading Early Modern Race,” Shakespeare Quarterly 67.1 (2016): 1–13.
Essays:
Urvashi Charavarty, “More Than Kin, Less Than Kind: Similitude, Strangeness, and Early Modern English Homonationalisms,” Shakespeare Quarterly 67.1 (2016): 14–29.
Vanessa Corredera, “‘Not a Moor exactly’: Shakespeare, Serial, and Modern Constructions of Race,” Shakespeare Quarterly 67.1 (2016): 30–50.
Ruben Espinosa, “Stranger Shakespeare,” Shakespeare Quarterly 67.1 (2016): 51–67.
Kyle Grady, “Othello, Colin Powell, and Post-Racial Anachronism,” Shakespeare Quarterly 67.1 (2016): 68–83.
Arthur L. Little, “Re-Historicizing Race, White Melancholia, and the Shakespearean Property,” Shakespeare Quarterly 67.1 (2016): 84–103.
Ian Smith, “We are Othello: Speaking of Race in Early Modern Studies,” Shakespeare Quarterly 67.1 (2016): 104–24.
Sandra Young, “Race and the Global South in Early Modern Studies,” Shakespeare Quarterly 67.1 (2016): 125–35.
Book Reviews:
Sujata Iyengar, review of Shakespeare on the Global Stage: Performance and Festivity in the Olympic Year, ed. by Paul Prescott and Erin Sullivan, Shakespeare Quarterly 67.1 (2016): 136–38.
Peter Holland, review of Hamlet’s Dreams: The Robben Island Shakespeare, by David Schalkwyk, Shakespeare Quarterly 67.1 (2016): 138–40.
Virginia Mason Vaughan, review of Shakespeare on Screen: “Othello,” ed. by Sarah Hatchuel and Nathalie Vienne-Guerrin, Shakespeare Quarterly 67.1 (2016): 140–42.
Heather S. Nathans, review of Ira Aldridge: Performing Shakespeare in Europe, 1852-1855, by Bernth Lindfors, Shakespeare Quarterly 67.1 (2016): 142–44.
David Hawkes, review of Shakespeare and Outsiders, by Marianne Novy, Shakespeare Quarterly 67.1 (2016): 145–47.
Catherine Nicholson, review of Poor Tom: Living “King Lear,” by Simon Palfrey, Shakespeare Quarterly 67.1 (2016): 147–49.
A.E.B. Coldiron, review of Shakespeare and the French Borders of English, by Michael Saenger, Shakespeare Quarterly 67.1 (2016): 150–52.
Rebecca Totaro, review of Shakespeare and Donne: Generic Hybrids and Cultural Imaginary, ed. by Judith Anderson and Jennifer C. Vaught, Shakespeare Quarterly 67.1 (2016): 152–54.
Daniel Cook, review of Shakespeare and the Culture of Romanticism, ed. by Joseph M. Ortiz, Shakespeare Quarterly 67.1 (2016): 155–56.
Julie Sanders, review of Shakespeare’s Ocean: An Ecocritical Exploration, by Dan Brayton, Shakespeare Quarterly 67.1 (2016): 157–59.
Jennifer Linhart Wood, The Oxford Handbook of Shakespeare, ed. by Arthur F. Kinney, and: Shakespeare in 100 Objects Treasure from the Victoria and Albert Museum, ed. by Janet Birkett, Shakespeare Quarterly 67.1 (2016): 159–62.
Appendices:
Imtiaz Habib, “Map Key and Documentary Sources,” Shakespeare Quarterly 67.1 (2016): 163–71. See also the cover image and key for further information.
Volume 66, 2015
Volume 66, Number 4, Winter 2015
Essays:
Valerie Wayne, “The First Folio’s Arrangement and Its Finale,” Shakespeare Quarterly 66.4 (2015): 389–408.
Theodore F. Kaouk, “Homo Faber, Action Hero Manqué: Crafting the State in Coriolanus,” Shakespeare Quarterly 66.4 (2015): 409–39.
- K. Barret, “The Crowd in Imogen’s Bedroom: Allusion and Ethics in Cymbeline,” Shakespeare Quarterly 66.4 (2015): 440–62.
Book Reviews:
Warren Chernaik, review of Coriolanus, ed. by Peter Holland, Shakespeare Quarterly 66.4 (2015): 463–65.
Megan Heffernan, review of The Oxford Handbook of Shakespeare’s Poetry, ed. by Jonathan F.S. Post, Shakespeare Quarterly 66.4 (2015): 465–67.
Zachary Lesser, review of Paratexts in English Printed Drama to 1642, ed. by Thomas L. Berger, Sonia Massai, Tania Demetriou, Shakespeare Quarterly 66.4 (2015): 467–70.
Fernando Cioni, review of Shakespeare and Venice, by Graham Holderness, and:Visions of Venice in Shakespeare, ed. by Shaul Bassi and Laura Tossi, Shakespeare Quarterly 66.4 (2015): 470–73.
Rebecca Bushnell, review of Shakespeare’s Nature: From Cultivation to Culture, by Charlotte Scott, Shakespeare Quarterly 66.4 (2015): 474–76.
John Gillies, review of Being and Having in Shakespeare, by Katharine Eisaman Maus, Shakespeare Quarterly 66.4 (2015): 476–79.
Michelle M. Dowd, review of Of Bondage: Debt, Property, and Personhood in Early Modern England, by Amanda Bailey, Shakespeare Quarterly 66.4 (2015): 479–82.
Christopher Pye, review of The Tears of Sovereignty: Perspectives of Power in Renaissance Drama, by Phillip Lorenz, Shakespeare Quarterly 66.4 (2015): 482–84.
Douglas Trevor, review of The Melancholy Assemblage: Affect and Epistemology in the English Renaissance, by Drew Daniel, Shakespeare Quarterly 66.4 (2015): 485–87.
Scott Maisano, review of Rethinking Shakespeare’s Skepticism: The Aesthetics of Doubt in the Sonnets and Plays, by Suzanne M. Tartamella, and: Shakespeare and the Art of Lying, ed. by Shormishtha Panja, Shakespeare Quarterly 66.4 (2015): 488–91.
William Revere, review of The End of Satisfaction: Drama and Repentance in the Age of Shakespeare, by Heather Hirschfeld, Shakespeare Quarterly 66.4 (2015): 491–94.
Peter Berek, review of The Gospel According to Shakespeare, by Peiro Boitani, and: Faith in Shakespeare, by Richard C. McCoy, Shakespeare Quarterly 66.4 (2015): 494–98.
Richard Hillman, review of Shakespeare and the Apocalypse: Visions of Doom from Early Modern Tragedy to Popular Culture, by R. M. Christofides, Shakespeare Quarterly 66.4 (2015): 498–501.
Robert Sawyer, review of Shakespiritualism: Shakespeare and the Occult, 1850–1950, by Jeffrey Kahan, Shakespeare Quarterly 66.4 (2015): 501–4.
Tanya Pollard, review of Occult Knowledge, Science, and Gender on the Shakespearean Stage, by Mary Floyd-Wilson, Shakespeare Quarterly 66.4 (2015): 504–6.
Carol Chillington Rutter, review of Women Making Shakespeare: Text, Reception and Performance, ed. by Gordon McMullan, Lena Cowen Orlin, Virginia Mason Vaughan, Shakespeare Quarterly 66.4 (2015): 506–9.
Robert Ormsby, review of Reviewing Shakespeare: Journalism and Performance from the Eighteenth Century to the Present, by Paul Prescott, Shakespeare Quarterly 66.4 (2015): 509–11.
Robert Young, review of Shakespeare Expressed: Page, Stage, and Classroom in Shakespeare and His Contemporaries, ed. by Kathryn M. Moncrief, Kathryn R. McPherson, and Sarah Enloe, Shakespeare Quarterly 66.4 (2015): 511–13.
Stuart Hampton-Reeves, review of Reinventing the Renaissance: Shakespeare and His Contemporaries in Adaptation and Performance, ed. by Sarah Annes Brown, Robert I. Lublin, and Lynsey McColluch, Shakespeare Quarterly 66.4 (2015): 514–16.
Ramona Wray, review of Screening Early Modern Drama: Beyond Shakespeare, by Pascale Aebischer, and: Spectral Shakespeares: Media Adaptations in the Twenty-First Century, by Maurizio Calbi, Shakespeare Quarterly 66.4 (2015): 517–20.
Darryl Chalk, review of Teaching Shakespeare beyond the Centre: Australasian Perspectives, ed. by Kate Flaherty, Penny Gay, L.E. Semler, Shakespeare Quarterly 66.4 (2015): 520–23.
Brett D. Hirsch, review of Shakespeare and the Digital World: Redefining Scholarship and Practice, ed. by Christie Carson and Peter Kirwan, Shakespeare Quarterly 66.4 (2015): 523–26.
Volume 66, Number 3, Fall 2015
From the Editor:
Gail Kern Paster, “From the Editor,” Shakespeare Quarterly 66.2 (2015): 251.
Essays:
Bryan Crockett, “Shakespeare, Playfere, and the Pirates,” Shakespeare Quarterly 66.3
(2015): 252–85.
Philip Goldfarb Styrt, “‘Continual Factions’: Politics, Friendship, and History in Julius Caesar,” Shakespeare Quarterly 66.3 (2015): 286–307.
Adam Rzepka, “‘How easy is a bush supposed a bear?’: Differentiating Imaginative Production in A Midsummer Night’s Dream,” Shakespeare Quarterly 66.3 (2015): 308–28.
Book Reviews:
Eric S. Malin, review of Shakespeare and the Urgency of Now: Criticism and Theory in the Twenty-First Century, ed. by Cary DiPietro and Hugh Grady, Shakespeare Quarterly 66.3 (2015): 329–32.
Sharon O’Dair, review of What’s the Worst Thing You Can Do to Shakespeare?, by Richard Burt and Julian Yates, Shakespeare Quarterly 66.3 (2015): 333–35.
Jessica Slights, review of Shakespeare Up Close: Reading Early Modern Texts, ed. by Russ McDonald, Nicholas D. Nace, Travis D. Williams, Shakespeare Quarterly 66.3 (2015): 335–37.
- Elizabeth Hart, review of Shakespeare, Rhetoric and Cognition, by Raphael Lyne, Shakespeare Quarterly 66.3 (2015): 338–40.
Wayne A. Rebhorn, review of Shakespeare’s Schoolroom: Rhetoric, Discipline, Emotion, by Lynn Enterline, Shakespeare Quarterly 66.3 (2015): 341–43.
Mario DiGangi, review of Shakespeare’s Boys: A Cultural History, by Katie Knowles, Shakespeare Quarterly 66.3 (2015): 343–46.
Edward Wilson-Lee, review of Shakespeare and the Truth of Love: The Mystery of “The Pheonix and Turtle,” by James P. Bednarz, Shakespeare Quarterly 66.3 (2015): 346–47.
Coppélia Khan, review of The Ovidian Vogue: Literary Fashion and Imitative Practice in Late Elizabethan England, by Daniel D. Moss, Shakespeare Quarterly 66.3 (2015): 347–50.
- Malcolm Smuts, review of Drama and the Transfer of Power in Renaissance England, by Martin Wiggins, Shakespeare Quarterly 66.3 (2015): 350–52.
Naomi Conn Liebler, review of The Myth of Rome in Shakespeare and His Contemporaries, by Warren Chernaik, Shakespeare Quarterly 66.3 (2015): 353–55.
Ronald J. Bling, review of Celtic Shakespeare: The Bard and the Borderers, ed. by Willy Maley and Rory Loughnane, Shakespeare Quarterly 66.3 (2015): 355–58.
Deanne Williams, review of French Reflections in the Shakespearean Tragic: Three Case Studies, by Richard Hillman, Shakespeare Quarterly 66.3 (2015): 358–59.
Rosemary Kegl, review of Shakespeare in America, by Alden T. Vaughan and Virginia Mason Vaughan, Shakespeare Quarterly 66.3 (2015): 359–62.
Amanda Bailey, review of Performing Economic Thought: English Drama and Mercantile Writing, 1600‒1642, by Bradley D. Ryner, Shakespeare Quarterly 66.3 (2015): 362–64.
Jay Zysk, review of Sleep, Romance, and Human Embodiment: Vitality from Spenser to Milton, by Garrett A. Sullivan Jr., Shakespeare Quarterly 66.3 (2015): 364–67.
Catherine Molineaux, review of Reading and the History of Race in the Renaissance, by Elizabeth Spiller, and: Renaissance Paratexts, ed. by Helen Smith and Louise Wilson, Shakespeare Quarterly 66.3 (2015): 367–70.
Andrew Sofer, review of Reading the Unseen: (Offstage) “Hamlet,” by Stephen Ratcliffe, Stay Illusion!: The Hamlet Doctrine, by Simon Critchley and Jamieson Webster, Shakespeare Quarterly 66.3 (2015): 370–74.
Ian Frederick Moulton, review of Rethinking Historicism from Shakespeare to Milton, ed. by Ann Baynes Coiro, Thomas Fulton, and: Shakespeare and the Staging of English History, by Janette Dillon, and: Shakespeare’s History Plays: Rethinking Historicism, by Neema Parvini, Shakespeare Quarterly 66.3 (2015): 374–78.
Laurie E. Osborne, review of Shakespeare and the World Cinema, by Mark Thornton Burnett, Shakespeare Quarterly 66.3 (2015): 379–80.
Sheila T. Cavanaugh, review of OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation, by Daniel Fischlin, and: Shakespeare and YouTube: New Media Forms of the Bard, by Stephen O’Neill, Shakespeare Quarterly 66.3 (2015): 381–83.
Volume 66, Number 2, Summer 2015
Essays:
Daniel Shore, “Shakespeare’s Constructicon,” Shakespeare Quarterly 66.2 (2015): 113–36.
Andrew Sisson, “Othello and the Unweaponed City,” Shakespeare Quarterly 66.2 (2015): 137–66.
William Junker, “The Image of Both Theaters: Empire and Revelation in Shakespeare’s Antony and Cleopatra,” Shakespeare Quarterly 66.2 (2015): 167–87.
Note:
Tom Reedy, “William Dugdale on Shakespeare and His Monument,” Shakespeare Quarterly 66.2 (2015): 188–96.
Review Essays:
Deborah T. Curren-Aquino, “The Arden Shakespeare Dictionary Series,” Shakespeare Quarterly 66.2 (2015): 197–208.
Book Reviews:
Andrew Mattison, review of The Oxford Shakespeare Richard II, ed. by Anthony B. Dawson and Paul Yachnin, Shakespeare Quarterly 66.2 (2015): 209–12.
Ian MacInnes, review of Who Was William Shakespeare?: An Introduction to the Life and Works, by Dympna Callaghan, Shakespeare Quarterly 66.2 (2015): 212–14.
Karen Robertson, review of 30 Great Myths about Shakespeare, by Laurie E. Maguire and Emma Smith, Shakespeare Quarterly 66.2 (2015): 214–16.
Lars Engle, review of Shakespeare and Moral Agency, ed. by Michael D. Bristol, Shakespeare Quarterly 66.2 (2015): 216–19.
Evelyn Gajowski, review of Shakespeare and the Shrew: Performing the Defiant Female Voice, by Anna Kamaralli, Shakespeare Quarterly 66.2 (2015): 219–21.
Miriam Jacobson, review of What You Will: Gender, Contract, and the Shakespearean Social Space, by Kathryn Schwarz, Shakespeare Quarterly 66.2 (2015): 221–24.
Howard Marchitello, review of Evolving Hamlet: Seventeenth-Century English Tragedy and the Ethics of Natural Selection, by Angus Fletcher, Shakespeare Quarterly 66.2 (2015): 224–26.
Eric Rasmussen, review of Determining the Shakespeare Canon: “Arden of Faversham” and “A Lover’s Complaint”, by MacDonald P. Jackson, Shakespeare Quarterly 66.2 (2015): 226–29.
Alden T. Vaughan, review of Collecting Shakespeare: The Story of Henry and Emily Folger, by Stephen H. Grant, Shakespeare Quarterly 66.2 (2015): 229–32.
Daniel Juan Gil, review of Sexual Types: Embodiment, Agency, and Dramatic Character from Shakespeare to Shirley, by Mario DiGangi, Shakespeare Quarterly 66.2 (2015): 232–34.
John Gillies, review of Supernatural Environments in Shakespeare’s England: Spaces of Demonism, Divinity, and Drama, by Kristen Poole, Shakespeare Quarterly 66.2 (2015): 235–37.
Giulio Pertile, Open Subjects: English Renaissance Republicans, Modern Selfhoods, and the Virtue of Vulnerability, by James Kuzner, and: The Pain of Reformation: Spenser, Vulnerability, and the Ethics of Masculinity, by Joseph Campana, Shakespeare Quarterly 66.2 (2015): 238–41.
James N. Loehlin, review of Shakespeare in Performance: “The Tempest,” by Virginia Mason Vaughan, Shakespeare Quarterly 66.2 (2015): 241–44.
Keith Jones, review of Shakespeare on Screen: ‘Macbeth,’ ed. by Sarah Hatchuel, Nathalie Vienne-Guerrin, and Victoria Bladen, and: Screen Adaptations: Shakespeare’s “Hamlet.” The Relationship Between Text and Film, by Samuel Crowl, Shakespeare Quarterly 66.2 (2015): 244–47.
Volume 66, Number 1, Spring 2015
Essays:
Laura Estill, Dominic Klyve, Kate Bridal, “‘Spare your arithmetic, never count the turns’: A Statistical Analysis of Writing about Shakespeare, 1960–2010,” Shakespeare Quarterly 66.1 (2015): 1–28.
Amir Khan, “My Kingdom for a Ghost: Counterfactual Thinking and Hamlet,” Shakespeare Quarterly 66.1 (2015): 29–46.
Douglas Bruster, “Shakespeare’s Lady 8,” Shakespeare Quarterly 66.1 (2015): 47–88.
Note:
Ross W. Duffin, “‘Concolinel’: Moth’s Lost Song Recovered?”, Shakespeare Quarterly 66.1 (2015): 89–94.
Book Reviews:
Wes Folkerth, review of Shakespeare’s Theatres and the Effects of Performance, ed. by Farah Karim-Cooper and Tiffany Stern, Shakespeare Quarterly 66.1 (2015): 95–97.
James Kuzner, review of Shakespeare’s Anti-Politics: Sovereign Power and the Life of the Flesh, by Daniel Juan Gil, Shakespeare Quarterly 66.1 (2015): 97–99.
David Lindley, review of Broken Harmony: Shakespeare and the Politics of Music, by Joseph M. Ortiz, Shakespeare Quarterly 66.1 (2015): 99–101.
Simon Palfrey, review of Shakespeare and Impure Aesthetics, by Hugh Grady, Shakespeare Quarterly 66.1 (2015): 102–4.
Julie Sanders, review of Wooden Os: Shakespeare’s Theatres and England’s Trees, by Vin Nardizzi, Shakespeare Quarterly 66.1 (2015): 104–7.
John D. Staines, review of Sex before Sex: Figuring the Act in Early Modern England, ed. by James M. Bromley and Will Stockton, Shakespeare Quarterly 66.1 (2015): 107–9.
Volume 65, 2014
Volume 65, Number 4, Winter 2014
From the Editor:
Gail Kern Paster, “From the Editor,” Shakespeare Quarterly 65.4 (2014): 369‒70.
Essays:
Andrew Hadfield, “Why Does Literary Biography Matter?”, Shakespeare Quarterly 65.4 (2014): 371‒8.
Margreta de Grazia, “Shakespeare’s Timeline,” Shakespeare Quarterly 65.4 (2014): 379‒98.
Julia Reinhard Lupton, “Birth Places: Shakespeare’s Beliefs/Believing in Shakespeare,” Shakespeare Quarterly 65.4 (2014): 399‒420.
Lena Cowen Orlin, “Anne by Indirection,” Shakespeare Quarterly 65.4 (2014): 421‒54.
Lois Potter, “Shakespeare and Other Men of the Theater,” Shakespeare Quarterly 65.4 (2014): 455‒69.
Joseph Roach, “Celebrity Culture and the Problem of Biography,” Shakespeare Quarterly 65.4 (2014): 470‒81.
Brian Cummings, “Last Words: The Biographemes of Shakespeare,” Shakespeare Quarterly 65.4 (2014): 482‒90.
Review Essays:
Michael D. Bristol, review of Great Shakespeareans, ed. by Peter Holland and Adrian Poole, Shakespeare Quarterly 65.4 (2014): 491‒6.
Volume 65, Number 3, Fall 2014
Essays:
Gary Taylor, “Empirical Middleton: Macbeth, Adaptation, and Microauthorship,” Shakespeare Quarterly 65.3 (2014): 239‒72.
Meghan C. Andrews, “Michael Drayton, Shakespeare’s Shadow,” Shakespeare Quarterly 65.3 (2014): 273‒306.
John Kunat, “‘Play me false’: Rape, Race, and Conquest in The Tempest,” Shakespeare Quarterly 65.3 (2014): 307‒27.
Review Essays:
Seth Lerer, review of Medieval Shakespeare: Pasts and Presents, ed. by Ruth Morse, Helen Cooper, and Peter Holland, and: Shakespeare and the Medieval World, by Helen Cooper, and: Recursive Origins: Writing at the Transition to Modernity, by William Kuskin, Shakespeare Quarterly 65.3 (2014): 328‒37.
Book Reviews:
John N. King, review of The Oxford Handbook of Tudor Drama, ed. by Thomas Betteridge and Greg Walker, Shakespeare Quarterly 65.3 (2014): 338‒40.
Peter Erickson, review of A Fury in the Words: Love and Embarrassment in Shakespeare’s Venice, by Harry Berger Jr., Shakespeare Quarterly 65.3 (2014): 341‒3.
Hugh Grady, review of Philosophical Readings of Shakespeare: “Thou Art the Thing Itself”, by Margherita Pascucci, Shakespeare Quarterly 65.3 (2014): 343‒6.
Jesús Tronch, review of Shakespeare and the Spanish “Comedia”: Translation, Interpretation, Performance. Essays in Honor of Susan L. Fischer, ed. by Bárbara Mujica, Shakespeare Quarterly 65.3 (2014): 346‒9.
Jason Scott-Warren, review of Bound to Read: Compilations, Collections, and the Making of Renaissance Literature, by Jeffrey Todd Knight, Shakespeare Quarterly 65.3 (2014): 349‒51.
F.W. Brownlow, review of Tudor Autobiography: Listening for Inwardness, by Meredith Anne Skura, Shakespeare Quarterly 65.3 (2014): 352‒3.
Paul Menzer, review of Theatre, Community, and Civic Engagement in Jacobean London, by Mary Bayer, Shakespeare Quarterly 65.3 (2014): 354‒6.
Frank Nicholas Clary, review of Arras Hanging: The Textile That Determined Early Modern Literature and Drama, by Rebecca Olson, Shakespeare Quarterly 65.3 (2014): 356‒8.
Steve Mentz, review of Environmental Degradation in Jacobean Drama, by Bruce Boehrer, Shakespeare Quarterly 65.3 (2014): 359‒61.
Dan Venning, review of Shakespeare, Trauma and Contemporary Performance, by Catherine Silverstone, and: Shakespeare/Adaptation/ Modern Drama: Essays in Honour of Jill L. Levenson, ed. by Randall Martin and Katherine Scheil, Shakespeare Quarterly 65.3 (2014): 362‒4.
Volume 65, Number 2, Summer 2014
From the Editor:
Lars Engle, “Introduction to ‘Not Shakespeare,’” Shakespeare Quarterly 65.2 (2014):
105–8.
Essays:
Jeremy Lopez, “The Shadow of the Canon,” Shakespeare Quarterly 65.2 (2014):
109‒19.
Andrew S. Keener, “Jonson’s ‘Italian riddle’: Epicene and the Translation of Aretino’s Female Speech,” Shakespeare Quarterly 65.2 (2014): 120‒39.
Maggie Vinter, “‘This is called mortifying of a fox’: Volpone and How to Get Rich Quick by Dying Slowly,” Shakespeare Quarterly 65.2 (2014): 140‒63.
Gillian Knoll, “How To Make Love to the Moon: Intimacy and Erotic Distance in John Lyly’s Endymion,” Shakespeare Quarterly 65.2 (2014): 164‒79.
Andrea Crow, “Mediating Boys: Two Angry Women and the Boy Actor’s Shaping of 1590s Theatrical Culture,” Shakespeare Quarterly 65.2 (2014): 180‒98.
David Mateer and Alan H. Nelson, “‘When sorrows come’: John Webster v. Thomas Dekker in the Court of King’s Bench,” Shakespeare Quarterly 65.2 (2014): 199‒208.
Performance Review:
Bridget Escolme, “The Duchess of Malfi, The Knight of the Burning Pestle, and The Malcontent: Shakespeare’s Globe, January‒April 2014,” Shakespeare Quarterly 65.2 (2014): 209‒18.
Book Reviews:
Jessica Slights, review of The Cambridge Companion to Shakespeare and Contemporary Dramatists, ed. by Ton Hoenselaars, Shakespeare Quarterly 65.2 (2014): 219‒21.
John D. Cox, review of Christopher Marlowe in Context, ed. by Paulina Kewes, Ian W. Archer, and Felicity Heal, Shakespeare Quarterly 65.2 (2014): 221‒4.
Nedda Mehdizadeh, review of Christopher Marlowe in Context, ed. by Emily C. Bartels and Emma Smith, Shakespeare Quarterly 65.2 (2014): 224‒7.
Michael Schoenfeldt, review of The Unrepentant Renaissance: From Petrarch to Shakespeare to Milton, by Richard Strier, Shakespeare Quarterly 65.2 (2014): 227‒9.
Elizabeth D. Harvey, review of The Ephemeral History of Perfume: Scent and Sense in Early Modern England, by Holly Dugan, Shakespeare Quarterly 65.2 (2014): 229‒32.
Jennifer C. Vaught, review of Recovering Disability in Early Modern England, ed. by Allison P. Hobgood and David Houston Wood, Shakespeare Quarterly 65.2 (2014): 232‒5.
Volume 65, Number 1, Spring 2014
Essays:
Simon Palfrey, “Attending to Tom,” Shakespeare Quarterly 65.1 (2014): 1‒21.
Donovan Sherman, “‘What more remains?’: Messianic Performance in Richard II,” Shakespeare Quarterly 65.1 (2014): 22‒48.
Andrew Mattison, “Literary Listening: Shakespeare, Pater, and Song in Print,” Shakespeare Quarterly 65.1 (2014): 49‒73.
Review Essays:
Richard W. Schoch, review of Shakespeare in the Eighteenth Century, ed. by Fiona
Ritchie and Peter Sabor, and: Shakespeare in the Nineteenth Century, ed. by Gail Marshall, and: Shakespeare, Time and the Victorians: A Pictorial Exploration, by Stuart Sillars, Shakespeare Quarterly 65.1 (2014): 74‒85.
Book Reviews:
Deborah T. Curren-Aquino, review of The Arden Shakespeare “The Winter’s Tale”, ed.
by John Pitcher, Shakespeare Quarterly 65.1 (2014): 86‒90.
Roberta Barker, review of New Directions in Renaissance Drama and Performance
Studies, ed. by Sarah Werner, Shakespeare Quarterly 65.1 (2014): 90‒2.
Margreta de Grazia, review of The Accommodated Animal: Cosmopolity in Shakespearean Locales, by Laurie Shannon, Shakespeare Quarterly 65.1 (2014): 93‒5.
Michael Bristol, review of Shakespeare and Early Modern Political Thought, ed. by David Armitage, Conal Condren, and Andrew Fitzmaurice, and: Political Theology and Early Modernity, ed. by Graham Hammill and Julia Reinhard Lupton, Shakespeare Quarterly 65.1 (2014): 96‒102.
Volume 64, 2013
Volume 64, Number 4, Winter 2013
From the Editor:
Gail Kern Paster, “From the Editor,” Shakespeare Quarterly 64.4 (2013): 395.
Essays:
John Gillies, “The Question of Original Sin in Hamlet,” Shakespeare Quarterly 64.4 (2013): 396‒424.
Howard Marchitello, “Speed and the Problem of Real Time in Macbeth,” Shakespeare Quarterly 64.4 (2013): 425‒48.
Edward Wilson-Lee, “Shakespeare by Numbers: Mathematical Crisis in Troilus and Cressida,” Shakespeare Quarterly 64.4 (2013): 449‒72.
Book Reviews:
William Proctor Williams, review of Early Modern Playhouse Manuscripts and the Editing of Shakespeare, by Paul Werstine, Shakespeare Quarterly 64.4 (2013): 473‒5.
Randall Martin, review of The Arden Shakespeare Romeo and Juliet, ed. by René Weis, Shakespeare Quarterly 64.4 (2013): 475‒8.
Jyotsna G. Singh, review of Placing Michael Neill: Issues of Place in Shakespeare and Early Modern Culture, ed. by Jonathan Gil Harris, Shakespeare Quarterly 64.4 (2013): 478‒81.
Valerie Cumming, review of Costuming the Shakespearean Stage: Visual Codes of Representation in Early Modern Theatre and Culture, by Robert I. Lublin, and The Shakespearean Stage Space, by Mariko Ichikawa, Shakespeare Quarterly 64.4 (2013): 481‒3.
John D. Staines, review of Theatre and Testimony in Shakespeare’s England: A Culture of Mediation, by Holger Schott Syme, Shakespeare Quarterly 64.4 (2013): 483‒6.
Lara Bovilsky, review of Shakespeare and I, ed. by William McKenzie and Theodora Papadopoulou, Shakespeare Quarterly 64.4 (2013): 486‒8.
Dieter Mehl, review of Caesar in the USA, by Maria Wyke, and Shakespeare and the Second World War: Memory, Culture, Identity, ed. by Irena R. Makaryk and Marissa McHugh, Shakespeare Quarterly 64.4 (2013): 489‒91.
Marianne Novy, review of Shakespeare and Contemporary Fiction: Theorizing Foundling and Lyric Plots, by Barbara L. Estrin, Shakespeare Quarterly 64.4 (2013): 492‒4.
Volume 64, Number 3, Fall 2013
Positions:
Paul Cefalu, “The Burdens of Mind Reading in Shakespeare’s Othello: A Cognitive and
Psychoanalytic Approach to Iago’s Theory of Mind,” Shakespeare Quarterly 64.3 (2013): 265‒94.
Edward Pechter, “‘Iago’s Theory of Mind’: A Response to Paul Cefalu,” Shakespeare
Quarterly 64.3 (2013): 295‒300.
David Hillman, “‘If it be love indeed’: Transference, love, and Anthony and Cleopatra,”
Shakespeare Quarterly 64.3 (2013): 301‒33.
Douglas Bruster, “Shakespeare as Rorschach: A Response to David Hillman,”
Shakespeare Quarterly 64.3 (2013): 334‒42.
Adam Phillips, “Knots and Questions: A Response to David Hillman,” Shakespeare
Quarterly 64.3 (2013): 343‒8.
Essays:
Samuel Arkin, “‘That map which deep impression bears’: Lucrece and the Anatomy of
Shakespeare’s Sympathy,” Shakespeare Quarterly 64.3 (2013): 349‒71.
Book Reviews:
David Bevington, review of Shakespeare: Upstart Crow to Sweet Swan, 1592‒1623, by
Katherine Duncan-Jones, Shakespeare Quarterly 64.3 (2013): 372‒5.
Robert Bearman, review of The Truth about William Shakespeare: Fact, Fiction and
Modern Biographies, by David Ellis, and: Shakespeare’s Shrine: The Bard’s Birthplace
and the Invention of Stratford-upon-Avon, by Julia Thomas, Shakespeare Quarterly 64.3 (2013): 375‒8.
David Riggs, review of The Life of William Shakespeare: A Critical Biography, by Lois
Potter, Shakespeare Quarterly 64.3 (2013): 378‒80.
Alison A. Chapman, review of Shakespeare, Theatre, and Time, by Matthew D. Wagner,
Shakespeare Quarterly 64.3 (2013): 381‒2.
Ramie Targoff, review of Shakespeare’s Common Prayers: The Book of Common Prayer
and the Elizabethan Age, by Daniel Swift, and: The Unheard Prayer: Religious
Toleration in Shakespeare’s Drama by Joseph Sterrett, Shakespeare Quarterly 64.3
(2013): 383‒4.
Lori Anne Ferrell, review of Shakespeare, the Bible, and the Form of the Book:
Contested Scriptures, ed. by Travis DeCook and Alan Galey, Shakespeare Quarterly 64.3
(2013): 385‒6.
Daniel Juan Gil, review of The Aesthetcs of Service in Early Modern England, by
Elizabeth Rivlin, and: Intimacy and Sexuality in the Age of Shakespeare, by James M.
Bromley, Shakespeare Quarterly 64.3 (2013): 386‒9.
Linda Austern, review of Shakespeare’s Musical Imagery, by Christopher R. Wilson,
Shakespeare Quarterly 64.3 (2013): 389‒91.
Volume 64, Number 2, Summer 2013
Essays:
Jeffrey Paxton Hehmeyer, “Heralding the Commonplace: Authorship, Voice, and the
Commonplace in Shakespeare’s Rape of Lucrece,” Shakespeare Quarterly 64.2 (2013):
139‒64.
Alison A. Chapman, “Lucrece’s Time,” Shakespeare Quarterly 64.2 (2013): 165‒87.
Emma Smith, “Was Shylock Jewish?” Shakespeare Quarterly 64.2 (2013): 188‒219.
Performance:
Edward Reiss, “Globe to Globe: 37 Plays, 37 Languages,” Shakespeare Quarterly 64.2
(2013): 220‒32.
Thomas P. Cartelli, “‘The Killing Stops Here’: Unmaking the Myths of Troy in the
Wooster Group/RSC Troilus & Cressida (2012),” Shakespeare Quarterly 64.2 (2013):
233‒43.
Book Reviews:
Frank Nicholas Clary, review of Murder Most Foul: Hamlet through the Ages, by David
Bevington, Shakespeare Quarterly 64.2 (2013): 244‒6.
Alan Lopez, review of Tragic Conditions in Shakespeare: Disinheriting the Globe, by Paul A. Kottman, Shakespeare Quarterly 64.2 (2013): 246‒8.
Mary Floyd-Wilson, review of Speaking of the Moor: From ‘Alcazar’ to ‘Othello.’, by Emily C. Bartels, Shakespeare Quarterly 64.2 (2013): 248‒50.
Angus Fletcher, review of Shakespeare, Alchemy, and the Creative Imagination, by Margaret Healy, Shakespeare Quarterly 64.2 (2013): 251‒2.
William N. West, review of Persecution, Plague, and Fire: Fugitive Histories of the Stage in Early Modern England, by Ellen MacKay, Shakespeare Quarterly 64.2 (2013): 252‒5.
Jay Zysk, review of The Places of Wit in Early Modern English Comedy by Adam Zucker, and: Masculinity and the Metropolis of Vice, 1550‒1650, ed. by Amanda Bailey and Roze Hentschell, Shakespeare Quarterly 64.2 (2013): 255‒59.
Goran Stanivukovic, review of Shakespeare and Genre: From Early Modern Inheritances to Postmodern Legacies, ed. by Anthony R. Guneratne, Shakespeare Quarterly 64.2 (2013): 259‒62.
Volume 64, Number 1, Spring 2013
Positions:
Ian Smith, “Othello’s Black Handkerchief,” Shakespeare Quarterly 64.1 (2013): 1‒25.
Michael Neill, “Othello’s Black Handkerchief: Response to Ian Smith,” Shakespeare
Quarterly 64.1 (2013): 26‒31.
Lynne Magnusson, “Grammatical Theatricality in Richard III: Schoolroom Queens and
Godly Optatives,” Shakespeare Quarterly 64.1 (2013):32‒43.
Ruth Morse, “Grammatical Theatricality in Richard III: Response to Lynn Magnusson,”
Shakespeare Quarterly 64.1 (2013): 44.
Katherine Eggert, “Hamlet’s Alchemy: Transubstantiation, Modernity, Belief,”
Shakespeare Quarterly 64.1 (2013): 45‒57.
Theodore Leinwand, “Hamlet’s Alchemy: Response to Katherine Eggert,” Shakespeare
Quarterly 64.1 (2013): 58‒59.
Kristin Gjesdal, “Shakespeare’s Hermeneutic Legacy: Herder on Modern Drama and the Challenge of Cultural Prejudice,” Shakespeare Quarterly 64.1 (2013): 60‒9.
Paul A. Kottman, “Shakespeare’s Hermeneutic Legacy: Response to Kristin Gjesdal,” Shakespeare Quarterly 64.1 (2013): 70.
Essays:
Megan Heffernan, “Turning Sonnets into Poems: Textual Affect and John Benson’s
Metaphysical Shakespeare,” Shakespeare Quarterly 64.1 (2013): 71‒98.
Book Reviews:
Michael D. Bristol, review of Shakespeare and Literary Theory, by Jonathan Gil Harris, Shakespeare Quarterly 64.1 (2013): 99‒101.
Balz Engler, review of Great Shakespeareans, series ed. by Peter Holland and Adrian Poole, volumes 1‒4 (2010), Shakespeare Quarterly 64.1 (2013): 101‒2.
Nick Moschovakis, review of The Improbability of “Othello”: Rhetorical Anthropology and Shakespearean Selfhood, by Joel B. Altman, Shakespeare Quarterly 64.1 (2013): 102‒6.
Paul A. Kottman, review of Shakespeare’s Individualism, by Peter Holbrook, Shakespeare Quarterly 64.1 (2013): 107‒10.
Rebecca Ann Bach, review of Ecocriticism and Shakespeare: Reading Ecophobia, by Simon C. Estok, and Ecocritical Shakespeare, ed. by Dan Brayton and Lynne Bruckner, Shakespeare Quarterly 64.1 (2013): 110‒13.
Richard Hillman, review of Shakespeare and War, ed. by Ros King and Paul J.C.M. Franssen, Shakespeare Quarterly 64.1 (2013): 113‒6.
John Gillies, review of Aliens and Englishness in Elizabethan Drama, by Lloyd Edward Kermode, Shakespeare Quarterly 64.1 (2013): 116‒8.
Anne Coldiron, review of French Origins of English Tragedy, by Richard Hillman, Shakespeare Quarterly 64.1 (2013): 119‒21.
David McInnis, review of Actors and Acting in Shakespeare’s Time: The Art of Stage Playing, by John H. Astington, Shakespeare Quarterly 64.1 (2013): 121‒3.
David Worster, review of Reimagining Shakespeare’s Playhouse: Early Modern Staging Conventions in the Twentieth Century, by Joe Falocco, Shakespeare Quarterly 64.1 (2013): 124‒6.
Laurie E. Osborne, review of Shakespeare on Screen: “Hamlet.”, by Sarah Hatcheul and
Nathalie Vienne-Guerrin, Shakespeare Quarterly 64.1 (2013): 126‒9.
Sharon O’Dair, review of Extramural Shakespeare, by Denise Albanese, Shakespeare Quarterly 64.1 (2013): 129‒35.
Volume 63, 2012
Volume 63, Number 4, Winter 2012
Essays:
Robert Bearman, “Shakespeare’s Purchase of New Place,” Shakespeare Quarterly 63.4
(2012): 465‒86.
David Francis Taylor, “The Disenchanted Island: A Political History of The Tempest,
1760-1830,” Shakespeare Quarterly 63.4 (2012): 487‒517.
Jayne Elisabeth Archer, Richard Marggraf Turley, Howard Thomas, “The Autumn King:
Remembering the Land in King Lear,” Shakespeare Quarterly 63.4 (2012): 518‒43.
Misha Teramura, “The Anxiety of Auctoritas: Chaucer and The Two Noble Kinsmen,”
Shakespeare Quarterly 63.4 (2012): 544‒76.
Book Reviews:
Mark Bayer, review of Hamlet’s Arab Journey: Shakespeare’s Prince and Nasser’s
Ghost, by Margaret Litvin, Shakespeare Quarterly 63.4 (2012): 577‒80.
Darryl Gless, review of Shakespeare and Religion: Early Modern and Postmodern
Perspectives, ed. by Ken Jackson and Arthur F. Marotti, and: Religion and Drama in
Early Modern England: The Performance of Religion on the Renaissance Stage, ed. by
Jane Hwang Degenhardt and Elizabeth Williamson, and: Reading, Desire, and the
Eucharist in Early Modern Religious Poetry, by Ryan Netzley, Shakespeare Quarterly
63.4 (2013): 580‒87.
Amrita Sen, review of Islamic Conversion and Christian Resistance on the Early Modern
Stage, by Jane Hwang Degenhardt, Shakespeare Quarterly 64.3 (2013): 587‒90.
Lawrence Manley, review of Shakespearean Neuroplay: Reinvigorating the Study of
Dramatic Texts and Performance through Cognitive Science, by Amy Cook, and:
Knowing Shakespeare: Senses, Embodiment and Cognition, ed. by Lowell Gallagher and
Shankar Raman, and: Why Lyrics Last: Evolution, Cognition, and Shakespeare’s Sonnets,
by Brian Boyd, Shakespeare Quarterly 63.4 (2012): 594‒8.
Lina Perkins Wilder, review of Cognition in the Globe: Attention and Memory in
Shakespeare’s Theatre, by Evelyn B. Tribble, Shakespeare Quarterly 64.3 (2012):
598‒602.
Holly Dugan, review of Shakespeare and Material Culture by Catherine Richardson,
and: Ornamentalism: The Art of renaissance Accessories, ed. by Bella Mirabella,
Shakespeare Quarterly 63.4 (2012): 604‒6.
Volume 63, Number 3, Fall 2012
Essays:
Philip Schwyzer, “Trophies, Traces, Relics, and Props: The Untimely Objects of Richard
III,” Shakespeare Quarterly 63.3 (2012): 297‒327.
Elizabeth Zeman Kolkovich, “Pageantry, Queens, and Housewives in the Two Texts of
The Merry Wives of Windsor,” Shakespeare Quarterly 63.3 (2012): 328‒54.
John Burrows, “A Second Opinion on ‘Shakespeare and Authorship Studies in the
Twenty-First Century,’” Shakespeare Quarterly 63.3 (2012): 355‒92.
Katherine Bottle Attie, “Passion Turned to Prettiness: Rhyme or Reason in Hamlet,”
Shakespeare Quarterly 63.3 (2012): 393‒423.
Book Reviews:
Lois Potter, review of Shakespeare and Biography, by David Bevington, and: Nine Lives
of William Shakespeare, by Graham Holderness, Shakespeare Quarterly 63.3 (2012):
424‒7.
David Riggs, review of Ben Jonson: A Life, by Ian Donaldson, Shakespeare Quarterly
63.3 (2012): 428‒31.
Barbara A. Mowat, review of The Struggle for Shakespeare’s Text: Twentieth-Century
Editorial Theory and Practice, by Gabriel Egan, Shakespeare Quarterly 63.3 (2012):
431‒5.
Emma Smith, review of Shakespeare’s Errant Texts: Textual Form and Linguistic Style
in Shakespearean “Bad” Quartos and Co-Authored Plays, by Lene B. Petersen,
Shakespeare Quarterly 63.3 (2012): 435‒7.
Mark Houlahan, review of Shakespearean Verse Speaking: Text and Theatre Practice, by
Abigail Rokison, and: Shakespeare in Stages: New Theatre Histories, ed. by Christine
Dymkowski and Christie Carson, Shakespeare Quarterly 63.3 (2012): 438‒40.
Ann. C Christensen, review of Labor’s Lost: Women’s Work and the Early Modern
English Stage, by Natasha Korda, Shakespeare Quarterly 63.3 (2012): 440‒3.
Peter Holland, review of Shakespeare and Amateur Performance: A Cultural History, by
Michael Dobson, Shakespeare Quarterly 63.3 (2012): 443‒7.
Margreta de Grazia, review of Thinking with Shakespeare: Essays on Politics and Life,
by Julia Reinhard Lupton, Shakespeare Quarterly 63.3 (2012): 447‒52.
Jean E. Feerick, review of This England, That Shakespeare: New Angles on Englishness
and the Bard, ed. by Willy Maley and Margaret Tudeau-Clayton, Shakespeare Quarterly
63.3 (2012): 452‒5.
Anita Gilman Sherman, review of Shakespeare’s Memory Theatre: Recollection,
Properties, and Character, by Lina Perkins Wilder, Shakespeare Quarterly 63.3 (2012):
456‒8.
Sean Benson, review of Wonder in Shakespeare, by Adam Max Cohen, eds. M.G. Aune,
Joshua B. Fisher, and Rebecca Steinberger, Shakespeare Quarterly 63.3 (2012):
458‒61.
Volume 63, Number 2, Summer 2012
Essays:
Hugh Craig, “George Chapman, John Davies of Hereford, William Shakespeare, and A Lover’s Complaint,” Shakespeare Quarterly 63.2 (2012): 147‒74.
Catherine Belsey, “Invocation of the Visual Image: Ekphrasis in Lucrece and Beyond,”
Shakespeare Quarterly 63.2 (2012): 175‒98.
Rhema Hokama, “Love’s Rites: Performing Prayer in Shakespeare’s Sonnets,”
Shakespeare Quarterly 63.2 (2012): 199‒223.
Review Essays:
Will Stockton, “Shakespeare and Queer Theory,” Shakespeare Quarterly 63.2 (2012):
224‒35.
Teddy Jefferson, review of Shakespeare and the Modern Poet, by Neil Corcoran,
Shakespeare Quarterly 63.2 (2012): 236‒43.
Book Reviews:
Virginia Mason Vaughan, review of Passing Strange: Shakespeare, Race, and
Contemporary America, by Ayanna Thompson, Shakespeare Quarterly 63.2 (2012):
244‒6.
Yu Jin Ko, review of Weyward Macbeth: Intersections of Race and Performance, ed. by
Scott L. Newstock and Ayanna Thompson, Shakespeare Quarterly 63.2 (2012):
246‒9.
May Floyd-Wilson, review of Strangers in Blood: Relocating Race in the Renaissance,
by Jean E. Feerick, Shakespeare Quarterly 63.2 (2012): 250‒2.
Christopher Crosbie, review of English Revenge Drama: Money, Resistance, Equality, by
Linda Woodbridge, and Women and Revenge in Shakespeare: Gender, Genre and Ethics,
by Marguerite A. Tassi, Shakespeare Quarterly 63.2 (2012): 253‒6.
Rebecca Laroche, review of Pens and Needles: Women’s Textualities in Early Modern
England, by Susan Frye, Shakespeare Quarterly 63.2 (2012): 256‒8.
Jan Purnis, review of Crossing Gender in Shakespeare: Feminist Psychoanalysis and the
Difference Within, by James W. Stone, Shakespeare Quarterly 63.2 (2012): 258‒60.
Judith Owens, review of Poetry and Paternity in Renaissance England: Sidney, Spenser,
Shakespeare, Donne and Jonson, by Tom MacFaul, Shakespeare Quarterly 63.2 (2012):
261‒4.
Lisa Hopkins, review of Women in Shakespeare: A Dictionary, by Alison Findlay, Shakespeare Quarterly 63.2 (2012): 264‒5.
Heather Hirschfeld, review of Narcissism and Suicide in Shakespeare and His
Contemporaries, by Eric Langley, Shakespeare Quarterly 63.2 (2012): 265‒70.
Rebecca Ann Bach, review of Animal Characters: Nonhuman Beings in Early Modern
Literature, by Bruce Thomas Boehrer, Shakespeare Quarterly 63.2 (2012): 270‒72.
Kimberly Anne Coles, review of Representing the Plague in Early Modern England, ed.
by Rebecca Totaro and Ernest B. Gilman, Shakespeare Quarterly 63.2 (2012):
273‒6.
Margreta de Grazia, review of Shakespeare and the Grammar of Forgiveness, by Sarah
Beckwith, Shakespeare Quarterly 63.2 (2012): 276‒80.
Richard C. McCoy, review of Shakespeare Studies Today: Romanticism Lost, by Edward
Pechter, Shakespeare Quarterly 63.2 (2012): 280‒83.
Pascale Aebischer, review of Performing Heritage: Research, Practice and Innovation in
Museum Theatre and Live Interpretation, ed. by Anthony Jackson and Jenny Kidd, and: The English Renaissance in Popular Culture: An Age for All Time, ed. by Greg Colón Semenza, and: Filming and Performing Renaissance History, ed. by Mark Thornton Burnett and Adrian Streete, Shakespeare Quarterly 63.2 (2012): 283‒7.
Heather S. Nathans, review of Shakespeare and the American Musical, by Irene Dash, Shakespeare Quarterly 63.2 (2012): 287‒90.
Tom Bishop, review of Shakespeare in Asia: Contemporary Performance, ed. by Dennis Kennedy and Yong Li Lan, Shakespeare Quarterly 63.2 (2012): 290‒2.
Volume 63, Number 1, Spring 2012
Positions:
Paul A. Kottman, “Defying the Stars: Tragic Love as the Struggle for Freedom in Romeo
and Juliet,” Shakespeare Quarterly 63.1 (2012): 1‒38.
Julia Reinhard Lupton, “Response to Paul A. Kottman, ‘Defying the Stars: Tragic Love
as the Struggle for Freedom in Romeo and Juliet,’” Shakespeare Quarterly 63.1 (2012):
39‒45.
Essays:
Scott A. Trudell, “The Mediation of Poesie: Ophelia’s Orphic Song,” Shakespeare
Quarterly 63.1 (2012): 46‒76.
Patricia Badir, “‘This little academe, still and contemplative in living art’: Shakespeare,
Modernism, and the Arts and Letters Club of Toronto,” Shakespeare Quarterly 63.1
(2012): 77‒107.
Note:
David Kathman, “Henry Condell and His London Relatives,” Shakespeare Quarterly 63.1 (2012): 108‒15.
Book Reviews:
Julian Yates, review of Untimely Matter in the Time of Shakespeare, by Jonathan Gil
Harris, Shakespeare Quarterly 63.1 (2012): 116‒21.
Tzachi Zamir, review of The Strangeness of Tragedy, by Paul Hammond, and: Tragic
Conditions in Shakespeare: Disinheriting the Globe, by Paul A. Kottman, Shakespeare
Quarterly 63.1 (2012): 122‒4.
Ian Frederick Moulton, review of Shakespeare’s Comedies, by Kiernan Ryan,
Shakespeare Quarterly 63.1 (2012): 124‒6.
Margaret Mikesell, review of Shakespeare’s Widows, by Dorothea Kehler, Shakespeare
Quarterly 63.1 (2012): 126‒30.
Paul A. Kottman, review of The Apologetics of Evil: The Case of Iago, by Richard
Raatzch, Shakespeare Quarterly 63.1 (2012): 130‒2.
Tom Bishop, review of The Tainted Muse: Prejudice and Presumption in Shakespeare
and His Time, by Robert Brustein, Shakespeare Quarterly 63.1 (2012): 133‒5.
Graham Hammill, review of The Forms of Renaissance Thought: New Essays in
Literature and Cutlrue, ed. by Leonard Barkdan, Bradin Cormack, and Sean Keilen,
Shakespeare Quarterly 63.1 (2012): 135‒7.
Richard C. McCoy, review of Protestantism and Drama in Early Modern England, by
Adrian Streete, Shakespeare Quarterly 63.1 (2012): 137‒9.
Brian C. Lockey, review of English Renaissance Drama and the Specter of Spain:
Ethnopoetics and Empire, Shakespeare Quarterly 63.1 (2012): 140‒2.
Volume 62, 2011
Volume 62, Number 4, Winter 2011
Bradin Cormack, “Shakespeare’s Other Sovereignty: On Particularity and Violence in
The Winter’s Tale and the Sonnets,” Shakespeare Quarterly 62.4 (2011): 485‒513.
Robert Tierney, “Othello in Tokyo: Performing Race and Empire in 1903 Japan,”
Shakespeare Quarterly 62.4 (2011): 514‒40.
Review Essays:
Margreta de Grazia, “Harry Berger Jr. and the Tree of Acknowledgement,” Shakespeare
Quarterly 62.4 (2011): 541‒54.
Apocryphal Stories:
Tiffany Stern, “‘The Forgery of some modern Author?’: Theobald’s Shakespeare and
Cardenio’s Double Falsehood,” Shakespeare Quarterly 62.4 (2011): 555‒93.
Peter Kirwan, “The First Collected ‘Shakespeare Apocrypha,’” Shakespeare Quarterly
62.4 (2011): 594‒601.
Book Reviews:
Susan Frye, review of Shakespeare and Elizabeth: The Meeting of Two Myths, by Helen Hackett, Shakespeare Quarterly 62.4 (2011): 602‒4.
H.R. Woudhuysen, review of Shakespeare in Shorthand: The Textual Mystery of “King Lear”, by Adele Davidson, Shakespeare Quarterly 62.4 (2011): 604‒9.
Yu Jin Ko, review of Shakespearean Resurrection: The Art of Almost Raising the Dead, by Sean Benson, Shakespeare Quarterly 62.4 (2011): 609‒11.
Henry S. Turner, review of Political Economy and the States of Literature in Early Modern England, by Aaron Kitch, Shakespeare Quarterly 62.4 (2011): 611‒7.
Kristen Poole, review of Plague Writing in Early Modern England, by Ernest B. Gilman, Shakespeare Quarterly 62.4 (2011): 617‒20.
Karen Cunningham, review of Justice, Women, and Power in English Renaissance Drama, ed. by Andrew Majeske and Emily Demter-Goebel, Shakespeare Quarterly 62.4 (2011): 620‒22.
Ruru Li, review of Chinese Shakespeares: Two Centuries of Cultural Exchange, by Alexander C.Y. Huang, Shakespeare Quarterly 62.4 (2011): 622‒5.
Volume 62, Number 3, Fall 2011
From the Editor:
Sarah Werner, “From the Editor,” Shakespeare Quarterly 62.3 (2011): 307‒8.
Articles:
W.B. Worthen, “Intoxicating Rhythms: Or, Shakespeare, Literary Drama, and
Performance (Studies),” Shakespeare Quarterly 62.3 (2011): 309‒39.
Ramona Wray, “The Morals of Macbeth and Peace as Process: Adapting Shakespeare in Northern Ireland’s Maximum Security Prison,” Shakespeare Quarterly 62.3 (2011): 340‒63.
Zeno Ackermann, “Performing Oblivion/Enacting Remembrance: The Merchant of Venice in West Germany, 1945 to 1961,” Shakespeare Quarterly 62.3 (2011): 364‒95.
Mark Thornton Burnett, “Shakespeare and Contemporary Latin American Cinema,” Shakespeare Quarterly 62.3 (2011): 396‒419.
Daniel L. Keegan, “Performing Prophecy: More Life on the Shakespearean Scene,” Shakespeare Quarterly 62.3 (2011): 420‒43.
Todd A. Borlik, “A Season in Intercultural Limbo: Ninagawa Yukio’s Doctor Faustus, Theatre Cocoon, Tokyo,” Shakespeare Quarterly 62.3 (2011): 444‒56.
Sarah Werner, “Rethinking Academic Reviewing: A Conversation with Michael Dobson, Peter Holland, Katherine Rowe, Christian Billing, and Carolyn Sale,” Shakespeare Quarterly 62.3 (2011): 457‒62.
Book Reviews:
Sally-Beth MacLean, review of Shakespeare, the Queen’s Men, and the Elizabethan Performance of History, by Brian Walsh, Shakespeare Quarterly 62.3 (2011): 463‒6.
Lars Engle, review of Theater of a City: The Places of London Comedy, 1598‒1642, by Jean E. Howard, Shakespeare Quarterly 62.3 (2011): 466‒9.
Leslie Dunn, review of Voice in Motion: Staging Gender, Shaping Sound, by Gina Bloom, Shakespeare Quarterly 62.3 (2011): 469‒72.
Gretchen E. Minton, review of Shakespeare and the Institution of Theatre: “The Best in This Kind.”, by Erica Sheen, Shakespeare Quarterly 62.3 (2011): 473‒5.
Anthony R. Guneratne, review of Shakespeare on Silent Film: An Excellent Dumb Discourse, by Judith Buchanan, Shakespeare Quarterly 62.3 (2011): 475‒8.
Michael Anderegg, review of Shakespeare on Screen: The Henriad, ed. by Sarah Hatchuel and Nathalie Vienne-Guerrin, Shakespeare Quarterly 62.3 (2011): 478‒80.
Volume 62, Number 2, Summer 2011
From the Editor:
Jonathan Gil Harris, “From the Editor: Surviving Hamlet,” Shakespeare
Quarterly 62.2 (2011): 145‒7.
Positions:
Lee Edelman, “Against Survival: Queerness in a Time That’s Out of Joint,” Shakespeare
Quarterly 62.2 (2011): 148‒69.
Carla Freccero, “Forget Hamlet,” Shakespeare Quarterly 62.2 (2011): 170‒3.
Kathryn Schwarz, “Hamlet without Us,” Shakespeare Quarterly 62.2 (2011): 174‒9.
Essays:
Bernice W. Kliman, “At Sea about Hamlet at Sea: A Detective Story,” Shakespeare
Quarterly 62.2 (2011): 180‒204.
Elizabeth Hanson, “Fellow Students: Hamlet, Horatio, and the Early Modern University,”
Shakespeare Quarterly 62.2 (2011): 205‒29.
Allison K. Deutermann, “‘Caviare to the general’?: Taste, Hearing, and Genre in
Hamlet,” Shakespeare Quarterly 62.2 (2011): 230‒55.
Just Horatio:
Lars Engle, “How is Horatio Just?: How Just is Horatio?,” Shakespeare Quarterly 62.2
(2011): 256‒62.
Karen Newman, “Two Lines, Three Readers: Hamlet, TLN 1904-5,” Shakespeare
Quarterly 62.2 (2011): 263‒70.
Jonathan Crewe, “Reading Horatio,” Shakespeare Quarterly 62.2 (2011): 271‒8.
Barry Gaines, review of The New Kittredge Shakespeare The Tragedy of Romeo and
Juliet, eds. Bernice W. Kliman and Larry Magnus, and: The New Kittredge Shakespeare
The Tragedy of Julius Caesar, ed. by Sarah Hatchuel, and: The New Kittredge
Shakespeare The Merchant of Venice, ed. by Kenneth S. Rothwell, and: The New
Kittredge Shakespeare The Tragedy of Antony and Cleopatra, ed. by Sarah Hatchuel,
Shakespeare Quarterly 62.2 (2011): 279‒81.
Robert Bearman, review of Shakespeare Found! A Life Portrait at Last: Portraits, Poet,
Patron, Poems, ed. by Stanley Wells, Shakespeare Quarterly 62.2 (2011): 281‒4.
William Dodd, review of The Cacmbridge Introduction to Shakespeare’s Comedies, by
Penny Gay, Shakespeare Quarterly 62.2 (2011): 284‒6.
James Kearney, review of Shakespeare’s Book: Essays in Reading, Writing, and
Reception, ed. by Richard Meek, Jane Rickard, and Richard Wilson, Shakespeare
Quarterly 62.2 (2011): 286‒9.
David Hillman, review of Skepticism and Memory in Shakespeare and Donne, by Anita Gilman Sherman, Shakespeare Quarterly 62.2 (2011): 290‒2.
Lara Bovilsky, review of Early Modern Ecostudies: From the Florentine Codex to Shakespeare, ed. by Thomas Hallock, Ivo Kamps, and Karen L. Raber, Shakespeare Quarterly 62.2 (2011): 292‒5.
John D. Staines, review of Shakespeare and the Eighteenth Century, ed. by Peter Sabor and Paul Yachin, Shakespeare Quarterly 62.2 (2011): 295‒8.
Catherine Belsey, review of Shakespearean Gothic, ed. by Christy Desmet and Anne Williams, Shakespeare Quarterly 62.2 (2011): 298‒300.
Anston Bosman, review of Shakespeare and European Politics, ed. by Dirk Delabastita, Jozef de Vos, and Paul Franssen, Shakespeare Quarterly 62.2 (2011): 300‒02.
Volume 62, Number 1, Spring 2011
Essays:
Amanda Bailey, “Shylock and the Slaves: Owing and Owning in The Merchant of
Venice,” Shakespeare Quarterly 62.1 (2011): 1‒24.
Carolyn Sale, “Black Aeneas: Race, English Literary History, and the ‘Barbarous’
Poetics of Titus Andronicus,” Shakespeare Quarterly 62.1 (2011): 25‒52.
Hugh Craig, “Shakespeare’s Vocabulary: Myth and Reality,” Shakespeare Quarterly 62.1
(2011): 53‒74.
Anita Gilman Sherman, “Forms of Oblivion: Losing the Revels Office at St. John’s,” Shakespeare Quarterly 62.1 (2011): 75‒105.
Review Essays:
Brain Vickers, “Shakespeare and Authorship Studies in the Twenty-First Century,” Shakespeare Quarterly 62.1 (2011): 106‒42.